When readers stumble upon an author they’ve never read, they often read a few pages of the story to determine if they enjoy the writing style. This can easily be done by checking out the available sample of a book in “Look Inside” at Amazon.
If you’ve never used “Look Inside”, go to Shadows in the Stone by Diane McGyver and click on the image of the book cover. A new window will pop-up. Scrolling downward reveals the front material of the novel as well the first four chapters.
McGyver enjoys opening up a scene as if she’s zooming in or out with a movie camera. In fact, one Amazon reviewer had this to say: “It’s like an award-winning movie director telling the person behind the camera to lower or raise the picture in the viewfinder for a new angle.”
Below is one example of how McGyver opens a scene in Shadows in the Stone.
The evening air cooled, and the sun sank behind the trees. A few clouds drifted through the sky but nothing of any size to prevent the crescent moon from casting a gentle glow upon the landscape. The earth settled into a tranquil nap to rejuvenate from the day and to allow nocturnal creatures to tend to their livelihood under the cloak of darkness. The forest breathed a relaxed sigh. All was as it should be.
Anxious energy shot through the air, awakening slumbering fairies and disturbing the quietude of the woods. As strangers approached, nerves stood on end, and creatures hid or prepared to defend their domain. Waiting in the darkness, they held their breath as danger arrived. The laboured breathing of horses echoed from the shadows. Sprays of white, foamy spit flew from their mouths as they released the oxygen-stripped air. The squeaking of leather against leather beat the same rhythm as the hooves stomping the ground. Their riders kicked them, spurring them forward into the night.
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Shadows in the Stone, the first book in the Castle Keepers series, is available to Kindle Unlimited Members and the world at Amazon.
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2 thoughts on “Setting the Scene in “Shadows in the Stone””
A great example of setting the scene very well.
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Thank you, Darlene.
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